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| Embrace the Mask. |
Superhero comics have long been part
of American culture, and recently, they have become entrenched in popular
American film culture. Throughout superhero films and comics, one can see
elements of the Carnival. One of the superhero films in which the Carnival is
most apparent is Christopher Nolan’s The
Dark Knight.
According
to Mikhail Bakhtin:
| The Joker is the literal embodiment of the Carnival. |
The Joker is the hero of the
Carnival. He comes to Gotham and sees Batman as the great hypocrite of the
Carnival idea. He sees Batman as a mockery of the idea, one who pretends to
transcend the law, but still allows it to have its place; he sees Batman as one
who has even placed boundaries on himself, limiting his own use of the
Carnival. (Nolan). The Joker looks at Batman’s mockery at the beginning of the
film and seeks to put him in his place among the lawmakers and those who live
within boundaries, as a carnivalesque hypocrite.
It isn’t until later into the
movie, however, that the Joker realizes that, though there are definitely
differences between them, Batman has very much embraced the Carnival. The Joker
decides to take upon himself the task of pushing Batman over the edge into
complete acceptance of the Carnival, abandoning all rules, including his own.
In The Dark Knight the Joker even
tells Batman that breaking his rule is the only thing Batman can do to stop
him. (Nolan).
| What is the real Mask? |
As Batman, Bruce is
able to transcend the law. He uses his mask to free himself from the confines
and consequences that come with identity.
As Bruce, Batman acts
out the stereotypical life of a wealthy bachelor with too much money to spend.
Instead of showing
intelligence and power, Bruce shows a complete lack of self-respect and
dignity, mocking the aristocracy within Gotham.

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